I thought the time had come to spill the beans on the styles that make up the kkCOLLECTION. There is little doubt that many of the patterns are familiar to many of you formal/informal students of design. I chose classic patterns for the first collection because the object which the patterns adorned was, well, a bit obscure. No need for everyone to have to wrap their minds around both a new design detail (did you know what a candle sleeve was called before kaarskoker?) and a new motif. Classic Makes Perfect, no?
Every Tuesday, we’ll explore a different kaarskoker pattern: its origin, contemporary applications, inspiration for color palette. kkY-KNOT is a moniker I thought fitting and is often described as the David Hicks pattern. While Hicks popularized this pattern in the 1960s, the earliest source I have found is 14th century China.
As far as the color palette, the more prevalent colors in Chinese arts include tones of pale blue, pale pink, and pale green. My inspiration for Y-KNOT’s 4 colorways are as follows:
Jade & Silver: A 1960s MG picture I saw in an issue of World of Interiors
Periwinkle: The prevailing color scheme in the early 2000’s of NYC interior designers DiamondBaratta. A quick browse through their portfolio speaks to a love of periwinkle.
Sahara & Gold: A 70’s infused neutral a la ‘Ciara’ perfume.
Navy & Gold: I love this combination and thought the pattern lent itself well to the pairing. Actually, quite Hicks.


This is MG is not the exact inspiration but gives a sense of the bold color.






David Hicks fabric pictured above. Incidentally, both David Hicks textile and wallpaper collections as well as DiamondBaratta’s textile collection are available through LeeJofa.
*Images courtesy of DiamondBaratta, Revlon, Lee Jofa.